Sharon van Etten performs on Late Night with Jimmy Fallon

Last night, Sharon Van Etten played the song "Serpents" on Late Night with Jimmy Fallon (video below), debuting a new band featuring a guest appearance by Aaron Dessner (the National). The song is from Van Etten's forthcoming 3rd LP, Tramp, which is slated for release on 2/7/12 via Jagjaguwar. It's also been released as a single b/w non-album track "Mike McDermott."


The performance featured a more amplified sound palette than her previous work, adding tinges of indie rock to Van Etten's alt-folk style, with the songwriter inhabiting a bolder demeanor fronting the proceedings. Add the key ingredient of stardom's formula - a memorable lead-off single like "Serpents" - andTramp appears poised to be Van Etten's breakout release. Congratulations on a very successful network TV debut!

Contra

Vampire Weekend

Contra

XL Recordings

Vampire Weekend's sophomore LP, Contra, is out this week on XL. There's a lot of buzz regarding this band, mostly centering around two concerns: their use of “big words” and their appropriation of a host of world/ethnic genres. On the first score, it’s true that the word “baklava” hasn’t appeared in an American pop song in recent memory; but if it sends a few young (and not-so-young) fans scurrying for a dictionary, what’s the harm?

And second, for those pop ‘purists’ who view ethnic-tinged musical eclecticism with suspicion, one might ask whether VW’s penchant for calypso and ska in 2010 is so much different from the Beatles covering blues tunes forty-odd years ago. Pop, at its best, is an inclusive genre.

Both verbosity and polystylism are justifiable, in my book, in the quest for a brainier, variegated indie pop – so long as it comes across as organic rather than pretentious.

On that basis, Contra is a success. Amidst the mbiras, marimbas, and MIA samples, resides a respect for each individual element and a concomitant joy in their juxtaposition: something one doesn’t find in mash-ups for mash-ups sake. What’s more, Contra has a pervasively energetic presentation and rampant tunefulness that many artists would do well to study carefully.

So, raise your MENSA ranking while dancing to Afro-pop – by way of the Upper West Side.